¸½Ìò¤Î³¤Ê¼Ââ°÷¤¬3500ǯÁ°¤Î¡Ö¸ÅÂ奮¥ê¥·¥¢¤Î³»¡×¤òÃå¤ÆÅÁÀâ¤Î¥È¥í¥¤¥¢ÀïÁè¤òºÆ¸½¡¢¼ÂÀï¸þ¤±¤ÎÉð¶ñ¤Ç¤¢¤ë¤³¤È¤¬¼Â¾Ú¤µ¤ì¤ë
¥®¥ê¥·¥ã¡¦¥Ú¥í¥Ý¥Í¥½¥¹È¾Åç¤Ë±É¤¨¤¿¥ß¥±¡¼¥ÍʸÌÀ¤Î¹Ãæô¤Î¥ì¥×¥ê¥«¤ò¥®¥ê¥·¥ã·³¤Î³¤Ê¼Ââ°÷¤¬ÃåÍѤ·¡¢¥Û¥á¥í¥¹¤Î½ö»ö»í¡Ö¥¤¡¼¥ê¥¢¥¹¡×¤Ëµ¤µ¤ì¤¿ÀïÆ®¤ò11»þ´Ö¤Ë¤ï¤¿¤Ã¤Æ¹Ô¤Ã¤¿¼Â¸³¤Ë¤è¤ê¡¢¹Ãæô¤¬µ·¼°ÍѤǤϤʤ¯¼ÂÀï¤Ë´®¤¨¤ëÀ߷פǤ¢¤ë¤³¤È¤¬È½ÌÀ¤·¤¿¤È¤ÎÏÀʸ¤¬È¯É½¤µ¤ì¤Þ¤·¤¿¡£
Analysis of Greek prehistoric combat in full body armour based on physiological principles: A series of studies using thematic analysis, human experiments, and numerical simulations | PLOS ONE
2024ǯ5·î22Æü¤Ë¥ª¡¼¥×¥ó¥¢¥¯¥»¥¹¥¸¥ã¡¼¥Ê¥ë¡¦PLOS ONE¤Çȯɽ¤·¤¿¸¦µæ¤ÎÃæ¤Ç¡¢¥®¥ê¥·¥ã¡¦¥Æ¥Ã¥µ¥ê¥¢Âç³Ø¤Î¥¢¥ó¥É¥ì¥¢¥¹¡¦¥Õ¥í¥ê¥¹»á¤é¤Î¸¦µæ¥Á¡¼¥à¤Ï¡¢¸ÅÂå¥ß¥±¡¼¥ÍʸÌÀ¤ÎÊ褫¤é½ÐÅÚ¤·¤¿ÀÄƼ¤Î¹Ãæô¤Î¼ÂÍÑÀ¤ò¸¡¾Ú¤·¤Þ¤·¤¿¡£
¤³¤Î¹Ãæô¤Ï¡¢¥®¥ê¥·¥ãÆîÉô¤Ë¤¢¤ë¸ÅÂå¥ß¥±¡¼¥ÍʸÌÀ¤ÎÀ×ÃϤ«¤é¿ôkmÎ¥¤ì¤¿¥Ç¥ó¥É¥é¼¶á¹Ù¤Ç1960ǯ¤Ëȯ¸«¤µ¤ì¤¿¤â¤Î¤Ç¤¹¡£Ìó3500ǯÁ°¤Ëºî¤é¤ì¤¿¤³¤Î¡Ö¥Ç¥ó¥É¥é¤Î¹Ãæô¡×¤Ï¡¢¥ì¥×¥ê¥«¤òÍѤ¤¤¿¼Â¸³¤Ë¤è¤êÂΤÎÆ°¤¤ËÂбþ¤Ç¤¤ë±¿Æ°À¤È¡¢Åö»þ¤ÎÉð´ï¤Î¹¶·â¤ËÂѤ¨¤é¤ì¤ëËɸæÎϤ¬¤¢¤ë¤³¤È¤¬¤ï¤«¤Ã¤Æ¤¤¤Þ¤·¤¿¤¬¡¢Ä¹»þ´Ö¤Î¼ÂÀï¤Ë»È¤¨¤ë¤Î¤«¤Ï̤¸¡¾Ú¤À¤Ã¤¿¤¿¤á¡¢½ã¿è¤Ëµ·ÎéŪ¤ÊÍÑÅӤΤ¿¤á¤Ëºî¤é¤ì¤¿¤â¤Î¤À¤Ã¤¿¤È¤¤¤¦³ØÀâ¤â¤¢¤ë¤È¤Î¤³¤È¡£
by By Schuppi
¥Ç¥ó¥É¥é¤Î¹Ãæô¤Î¸¡¾Ú¤ò³«»Ï¤·¤¿¸¦µæ¥Á¡¼¥à¤Ï¡¢¤Þ¤º¥Û¥á¥í¥¹¤Î¡Ö¥¤¡¼¥ê¥¢¥¹¡×¤ËÌܤò¸þ¤±¤Þ¤·¤¿¡£¥¤¡¼¥ê¥¢¥¹¤Ï¥®¥ê¥·¥¢¿ÀÏäòÂêºà¤Ë¤·¤¿½ö»ö»í¤Ç¡¢ºîÃæ¤ÇÉÁ¤«¤ì¤ë¥È¥í¥¤¥¢ÀïÁè¤Î»þÂå¤È¥Û¥á¥í¥¹¤Î»þÂå¤Î´Ö¤Ë¤Ï500ǯ¤Î¤º¤ì¤¬¤¢¤ê¤Þ¤¹¤¬¡¢¡Ö±ó¤¤²áµî¤Ë´Ø¤¹¤ë¥®¥ê¥·¥¢¿Í¤ÎÅÁ¾µ¤Ë¤Ï¿¿¼Â¤¬´Þ¤Þ¤ì¤Æ¤¤¤ë¡×¤È¤¤¤¦¸ÅÂ奮¥ê¥·¥¢¤ÎÎò»Ë²È¡¦¥È¥¥¥¥Ç¥£¥Ç¥¹¤Î¥¢¥×¥í¡¼¥Á¤ËÊ襤¡¢¸¦µæ¥Á¡¼¥à¤Ï¥¤¡¼¥ê¥¢¥¹¤Î¥È¥í¥¤¥¢ÀïÁè¤òÀÄƼ´ï»þÂå¸å´ü¤ÎÀïÁè¤Î¥â¥Ç¥ë¤È°ÌÃ֤Ť±¤Þ¤·¤¿¡£
³¤¤¤Æ¡¢¸¦µæ¥Á¡¼¥à¤Ï¥¤¡¼¥ê¥¢¥¹¤ÎʬÀϤò¹Ô¤Ã¤¿²áµî¤Î2·ï¤Îʸ¸¥¤«¤é¡¢Åö»þ¤ÎÀïÁè¤Ë¤ª¤±¤ëŵ·¿Åª¤Ê¡Ö1Æü¤Î·³»ö³èÆ°¤Î³«»Ï»þ´Ö¤È½ªÎ»»þ´Ö¡×¡Ö1Æü¤ÎÀïÆ®¤ÇÀï»Î¤é¤¬¹Ô¤¦³èÆ°¡×¡Ö1Æü¤ÎÀïÆ®¤ÇÀï»Î¤¬Àݼ褷¤¿¿©ÎÁ¤È¿åʬ¤ÎÎ̡סÖÅö»þ¤ÎÀï»Î¤Î¿ÈÂÎŪÆÃħ¤ÈÀïÆ®·Ð¸³¤Î¿å½à¡×¡Ö¼ç¤ÊÀïÆ®¤Î¼ïÎà¡×¡ÖÀï»Î¤¬»ÈÍѤ·¤¿Éð´ï¡¢µ»½Ñ¡¢Æ°ºî¡×¤òÃê½Ð¤·¡¢¤½¤ì¤ò¸µ¤ËÀÄƼ´ï»þÂå¸å´ü¤ÎÀïÆ®¥·¥ß¥å¥ì¡¼¥·¥ç¥ó¡¦¥×¥í¥È¥³¥ë¤òºîÀ®¤·¤Þ¤·¤¿¡£
¼¡¤Ë¡¢¸¦µæ¥Á¡¼¥à¤Ï¥®¥ê¥·¥ã·³¤Î³¤Ê¼Ââ°÷¤«¤é»Ö´ê¼Ô¤òÊç¤ê¡¢¤½¤ÎÃ椫¤é¥¤¡¼¥ê¥¢¥¹¤Ëµ¤µ¤ì¤Æ¤¤¤ëÀº±Ô¤Îʼ»Î¤È²Äǽ¤Ê¸Â¤êǯÎð¤äÂηÁ¤¬¶á¤¤ÃËÀ13¿Í¤òÁªÈ´¤·¤Æ¡¢»öÁ°¤Î·±Îý¤ò¹Ô¤¤¤Þ¤·¤¿¡£
°Ê²¼¤Î¼Ì¿¿¤Ï¡¢ÏÀʸ¤Î¶¦Ãø¼Ô¤ÇÉð½Ñ¤Î¥¤¥ó¥¹¥È¥é¥¯¥¿¡¼¤Î»ñ³ÊÊÝ»ý¼Ô¤Ç¤â¤¢¤ëStavros B. Petmezas»á¤¬¡¢³¤Ê¼Ââ°÷¤é¤ò·±Îý¤·¤Æ¤¤¤ëÍͻҤǤ¹¡£·±Îý¤ÎÆâÍƤÏÆüËܤηõÆ»¡¢¥Þ¡¼¥·¥ã¥ë¥¢¡¼¥Ä¡¢·³»öÀïά¤Î¹ÖµÁ¡¢Éð´ï¤Î»ÈÍÑË¡¤Ê¤É¿´ô¤Ë¤ï¤¿¤ê¡¢¥È¥ì¡¼¥Ë¥ó¥°¤Ï»²²Ã¼ÔÁ´°÷¤¬Éð´ï¤ÈËɶñ¤Î°·¤¤¤Ë½¬½Ï¤·¤¿¤È¥¤¥ó¥¹¥È¥é¥¯¥¿¡¼¤¬Ç§¤á¤ë¤Þ¤Ç¹Ô¤ï¤ì¤Þ¤·¤¿¡£
¤Þ¤¿¡¢¼Â¸³ÅöÆü¤Ëʼ»Î¤¬ÃåÍѤ¹¤ë¹Ãæô¤Ë¤Ï¡¢¥¤¥®¥ê¥¹¡¦¥Ð¡¼¥ß¥ó¥¬¥àÂç³Ø¤Î¹Í¸Å³Ø¼Ô¤Ç¤¢¤ë¥À¥¤¥¢¥Ê¡¦¥¦¥©¡¼¥É¥ë»á¤Î»ØƳ¤Î²¼¤Ç¡¢¥Ü¡¼¥ó¥ô¥£¥ë·Ý½ÑÂç³Ø¶â°²Ã¹©³Ø²Ê¤Î¶µ°÷¤ª¤è¤Ó³ØÀ¸¤é¤¬À©ºî¤·¤¿¡Ö¥Ç¥ó¥É¥é¤Î¹Ãæô¤Î¥ì¥×¥ê¥«¡×¤¬ÍѤ¤¤é¤ì¤Þ¤·¤¿¡£ÁõÈ÷¤ÎÁí½ÅÎ̤Ï23kg°Ê¾å¤Ë¤â¤Ê¤ë¤È¤Î¤³¤È¡£
¤½¤·¤Æ¡¢¼Â¸³ÅöÆü¤Î»²²Ã¼Ô¤é¤Ï7»þ¤«¤é17»þ54ʬ¤Þ¤ÇÀµ³Î¤Ë¬Äꤷ¤¿ÀïÆ®»þ´ÖÆâ¤Ç¡¢Á°½Ò¤ÎÀïÆ®¥·¥ß¥å¥ì¡¼¥·¥ç¥ó¡¦¥×¥í¥È¥³¥ë¤Ë´ð¤Å¤¤¤¿ÀïÆ®¤ÎºÆ¸½¤ò¹Ô¤¤¤Þ¤·¤¿¡£°Ê²¼¤Ï¡¢¼Â¸³¤ò»ë³ÐŪ¤ËµÏ¿¤¹¤ë¤¿¤á¤Ë¡¢¹Ãæô¤òÃåÍѤ·¤¿Ê¼»Î¤òÈþ½ÑŪ¤Ë»£±Æ¤·¤¿¤â¤Î(º¸)¤È¡¢Ìϵ¼±é½¬¤ò¹Ô¤Ã¤Æ¤¤¤ë¼ÂºÝ¤Î»²²Ã¼Ô¤Î¼Ì¿¿(±¦)¤Ç¤¹¡£
by Andreas Flouris and Marija Marković.
¥¤¡¼¥ê¥¢¥¹¤Ëµ½Ò¤µ¤ì¤¿Åö»þ¤Î¹Ô·³¤äÀïÆ®¤ÎʬÀÏ¡¢¸ÅÂå¤ÎÀï¾ì¤Îµ¤¾Ý¾ò·ï¤äÆü¾È»þ´Ö¤Î¥·¥ß¥å¥ì¡¼¥·¥ç¥ó¡¢¤½¤·¤Æ¥Ç¥ó¥É¥é¤Î¹Ãæô¤òÃåÍѤ·¤¿»²²Ã¼Ô¤é¤Î¿ÈÂÎŪÉé²Ù¤ò³Æ¼ï¥»¥ó¥µ¡¼¤Ç¬Äꤷ¤¿·ë²Ì¤«¤é¡¢¸¦µæ¥Á¡¼¥à¤Ï¡Ö¥Ç¥ó¥É¥é¤Î¹Ãæô¤Ï¡¢ËèÆüºÇÂç11»þ´Ö¤Ë¤ª¤è¤ÖĹ»þ´Ö¤ÎÀïÆ®¤ò¹Ô¤¦¤Î¤Ë´®¤¨¤é¤ì¤ë¹½Â¤¤È½ÅÎ̤Ǥ¢¤ê¡¢¹Ãæô¤òÃåÍѤ·¤Æ¤½¤Î¤è¤¦¤ÊÀïÆ®¤ò¤·¤Æ¤â¡¢Àï»Î¤é¤Î·ò¹¯¤Ï»¤Ê¤ï¤ì¤Ê¤«¤Ã¤¿¡×¤È·ëÏÀ¤Å¤±¤Þ¤·¤¿¡£
¤Þ¤¿¡¢¸ÅÂå¥ß¥±¡¼¥ÍʸÌÀ¤ËĹ»þ´Ö¤ÎÀïÆ®¤ò²Äǽ¤È¤¹¤ëÉð¶ñ¤ÎÀ½Â¤µ»½Ñ¤¬¤¢¤Ã¤¿¤³¤È¤¬¼¨º¶¤µ¤ì¤ë¤³¤È¤«¤é¡¢¸¦µæ¼Ô¤é¤ÏÏÀʸ¤Ë¡Ö¥ß¥±¡¼¥Í¿Í¤¬ÅìÃÏÃ泤¤ÎÃÏ°è¤Ë¶¯Âç¤Ê±Æ¶Á¤òµÚ¤Ü¤·¤¿Íýͳ¤Î°ìÉô¤ÏÈà¤é¤ÎÉð¶ñÀ½Â¤¤Îµ»½Ñ¤Ë¤¢¤Ã¤¿¡¢¤È¤¤¤¦À⤬΢ÉÕ¤±¤é¤ì¤Þ¤·¤¿¡×¤Èµ¤·¤Æ¤¤¤Þ¤¹¡£